![]() ![]() Over five decades Spendor Classic loudspeakers have earned iconic status as the reference standard for many audiophiles, musicians and professional sound engineers. ![]() Please contact a Spendor authorised D-Line retailer for more information about our products. An inspiring and satisfying choice for audiophiles and discerning music-lovers.Ĭlick here to download the D-Line Data Sheet.Ĭlick here to download the Spendor Colour Palette.Ĭlick here to download Frequently Asked Questions. ![]() With their slim enclosures and smart modern finishes, they’re easy to place in dedicated listening rooms or everyday living spaces.Īll D-Line loudspeakers draw on our research into cabinet damping, advanced polymers, amplifier-loudspeaker interface, low-frequency airflow and sound behaviour. They bring captivating sound quality to the music you love and fit easily and unobtrusively into any setting.Ĭompatible with all good amplifiers, the floorstanding D7 and D9 deliver exceptional resolution and low-frequency power, communicating a vibrant realism to music of all genres. Why using other people's TV settings is a huge crap shoot. 'Why Copying Settings From The Web Won't Get You A Calibrated TV' 'The Fruits Of Copying Settings- Pioneer Kuro Lottery' 'Sharing display menu settings?' 'Words from a Pro Calibrator' 'Panasonic ST60 "Before" Greyscale.Our new Spendor D-Line loudspeakers combine cuttingedge research and technical innovation with real-world design. Otherwise you could be hearing the effects of mis-calibration and out-of-phase response. Be sure to re-calibrate with each new placement and to optimize phase before judging the SQ of any new positions/crossovers. If the sub is outside the front speakers, on a side or rear wall, localization can be a bigger problem.Īll you can do is experiment with different placements and crossovers to determine what the optimal situation will be. If it's up front, between the L/R speakers, localization can be minimized, allowing a higher crossover. In your situation, with a 70 Hz -3 dB point, I would not suggest crossing over below 80 Hz, or you may end up with a "hole" in the bass response, (a portion of the bass audio spectrum not adequately covered by either the subwoofer or the speakers.) How far above 80 Hz you can crossover will be determined by your ability to localize the sub. Some subs have high levels of harmonic distortion, which can increase localizability, (you're actually hearing the harmonics, which are multiples of the fundamental frequency, but since they're higher frequencies, they're localizable.) Some people can localize bass at lower frequencies. However, the point of localization varies from person to person and from setup to setup. That is why 80 Hz is often recommended as the "best" crossover frequency. For most people, that point is about 80 Hz. Bass is omni-directional and non-localizable. IOW, you will start to hear sounds originating from the sub. However, at some point you begin to "localize" the subwoofer. By relieving both amps and speakers of the strain of the most power-hungry portion of the audio spectrum, you decrease the overall distortion levels and allow the *system* to reproduce louder and cleaner. The higher you crossover the speakers to the sub, the more you relieve the speakers of the burden of reproducing the lowest notes.
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